In describing the collapse of the roof of Manufacturers and Liberal Arts Building, Larson writes "In a great blur of snow and silvery glass the building's roof—that marvel of late nineteenth-century hubris, enclosing the greatest volume of unobstructed space in history—collapsed to the floor below" [p. 196–97]. Was the entire Fair, in its extravagant size and cost, an exhibition of arrogance? Do such creative acts automatically engender a darker, destructive parallel?
The World’s Columbian Exposition was to be grand. The buildings were to be extravagant, and the exhibits were to be exquisite. Everything about it would proudly showcase what America was made of. America ’s Fair would in all aspects be greater and grander than the one held previously in France .
The Manufacturers and Liberal Arts Building of the Fair in Chicago was one of the most significant buildings of the entire fair. Post, the architect in charge of drafting this building, intended on having it be the largest and tallest building ever constructed. It would include a central tower, a bridge, and electric elevators. Post would use enough steel to build two Brooklyn Bridges to construct this building. With many people aspiring to make the building one of the greatest, its premature collapse only proved to foreshadow the Grand Fair as an exhibition on arrogance.
Even in the beginning, when America was first given the opportunity to present the World’s Fair, the people seemed overly eager. The first thoughts of many people, were to out-do the Fair in Paris . Especially those of Chicago and New York , the people felt immense pride to have the fair held in their hometown. Americans somewhat began a small battle over who would hold the Fair. When Chicagoans learned they won, their honor and exuberance secreted a sense of selfishness. They were in no doubt, proud that one of the most prestigious architects of Chicago, Daniel Burnham, was to lead in drafting for the Fair. However, they became so proud, that many were outraged when Burnham went to New York to look for assistance. Overtime, the planning of the Fair, seemed to revolve mostly around how much greater it would be, compared to that of Paris .
One of the issues Burnham was mostly troubled with, was the desperate pursuit of how to out-do the Eiffel Tower . This was crucial for the Chicago World’s Fair, and whether he found a good competitor or not was symbolic of the Fair’s destiny. Although the Fair eventually builds a Ferris Wheel, its concept was admirable, but the Fair’s stressful execution of it left a large sense of disappointment and incompletion.
Although the many people involved in making the Fair come to life were already pushed to meet the deadline for when the Fair was to be finished, no allotment of time ever seemed to be enough. Even the most prestigious architects mentioned that the most extravagant buildings were created from start to finish, within a matter of decades. The deadline was even pushed forward into later dates, and even then the Fair seemed unfinished. When the Grand Expo finally opened much later than originally expected, some buildings and exhibits were still incomplete and lacking.
Americans now had bragging rights for having held the Fair on its soil, and although some parts of its productions were spectacular, their arrogant attitudes counteracted with these productions. The collapse of the Manufacturers and Liberal Arts Building not only portrayed the Fair, but also the consequence of selfish actions and attitudes.